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Charming but conventionally plotted, it's a gentle ride that's lit up by compelling turns from Harris and Ellison.

Since a large portion of the film is taken up with the theme of school bullying, it may have some contemporary relevance, but good intentions do not always a good movie make.

Every kitchen-sink dramatic clich is trotted out in John Gray's Brooklyn period piece.

A movie that one watches with the sense of pushing it up a hill.

A sexually frank tale of urban isolation and emotional need out of the dotcom revolution.

Why is it that "prestige" sex films, made by name directors and featuring estimable players, are usually so boring?

A carefully drawn portrait of family life.

A respectable addition to the tragic three sisters oeuvre.

This uncommonly assured feature debut takes a metaphysical view of necrophilia.

You can embrace this movie's message, which has less to do with political agendas than basic human decency and the enduring power of love. And if that's not enough to make a film worthwhile, we don't know what is.

Painfully earnest.