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Even the occasional good performance can't offset this minor dualer.

What other movie opens with Satanism in Greenwich Village, twists into urban paranoia, and climaxes with a suicide?

Peyton Place, with its myriad plot threads and cast of characters is a rollicking good yarn with obvious melodramatic tensions borne from some very juicy themes.

Under Mark Robson's direction, every one of the performers delivers a topnotch portrayal.

From The Terrace builds up to one big cliche.

Robson's film is still highly watchable, with Paul and Joanne pretending their marriage is on the rocks, and all sorts of machinations in the boardroom and the bedroom.

The choice of Mark Robson, a talented Hollywood journeyman director, for this piece of nonsense was inspired.

Too dull even to function as camp.

It's better handled and directed than most though thriller fans will still find its lack of action a drag.

The film comes magnificently alive with the burial sequence, and with the zombie-like, white-robed woman roaming through shadowy galleries and shuttered rooms.