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Enjoyably dumb, sweet, and intermittently hilarious -- if you've a taste for the quirky, steal a glimpse.

It's a bellini.

In the post 9-11 New York City, it's a patently ludicrous suggestion that four machine-gun toting, sinister looking individuals can walk freely about the most heavily-guarded subway system in the world.

It would be impossible to make a completely dull film of Godey's story, but Scott has succeeded in reducing it to an empty, mechanical spectacle.

Repellent yet intriguing, brutal yet funny, wicked yet strangely compassionate, The Salton Sea is more about mixing genres and styles than illuminating a credible reality.

Sacrificing content for style, Caruso gives us a lot to look at but little to ponder.

The crimer suffers from a slim, underdeveloped script by Lem Dobbs (who also write Kafka), but benefits from Soderbergh's astute direction that posits two 1960s cinematic icons, Brit Terrence Stamp and American Peter Fonda as long-time enemies.

Those interested in more challenging work will find the film a unique meditation on the nature of Hollywood.

A preposterous, expansive and self-conscious attempt to resurrect the historical spectacular.

A big, vacuous, sometimes exciting glamour-puss of a movie.

Phillip Noyce creates an effectively shadowy, decrepit Gotham.

Denzel Washington and Angelina Jolie muster enough electricity to make The Bone Collector a watchable thriller.

Shots, such as when Sandler and Watson kiss in silhouette, are truly memorable -- but Punch-Drunk Love is never more than this: a series of chocolate-box moments, PT-style.

It's a romantic comedy on the verge of a nervous breakdown.

An enjoyable romantic comedy, one that won't have the dragged along boyfriend running for the hills. It doesn't loose itself in fantasy land, remaining grounded and realistic.

Short on laughs but tinged with a pleasant European flavor.