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Hallstrom's film could have used more dramatic muscle but is nonetheless a touching, old-fashioned charmer that ultimately satisfies.

Mr. Irving remains a disturbingly facile spinner of yarns in which the most sordid facts of life are glossed over into comfortably didactic homilies about the innate goodness of people. Yet, I was somehow moved...

Altar Boys doesn't strive to revolutionise the genre, but by playing to what it knows the film works as an appealing teenage reminiscence.

Works as pretty contagious fun.

Martin, Keaton and cinematographer William A. Fraker put this retro fluff over better than expected early on, but hour 2 is only for those who don't want their equilibriums rattled by surprises.

The nearest thing we've got to a big-screen Catcher in the Rye...with Kieran Culkin giving a very Holden Caufield-esque performance.

In its own floundering way, it gets to you. Just like Igby.

At no point did I feel bored or condescended to, and even though the ending may be overwrought, it had me gripping my chair.

Solid, but forgettable.

Meryl dominates the proceedings. She simply disappears into the role, and the movie, for all its educational impulses, becomes about watching her do it.

Music of the Heart is nothing if not a change of pace, and, unfortunately, Craven doesn't appear entirely comfortable in these new surroundings.

A relentlessly corny and shamelessly derivative vehicle.

When Van Damme is doing what he does best -- narcissistically displaying his body and thumping the bad guys -- the film works reasonably well.

Scott Pilgrim vs. the World becomes a fatal case of flash over substance. Pretty great flash, though.

[It's] the funniest, most furiously action packed film of the year; one certain to be beloved by all the boys and girls who share the same passions and foibles as its foolish hero (myself included).

She's All That feels like it could have been made by a team of septuagenarians from the glory days of American Intl. Pictures.

It's often impossible to distinguish what's meant to be cartoonish from what's meant to be dramatic, but the confusion seems appropriately adolescent.