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A likable -- maybe even lovable -- movie.

A gritty, intense and engaging courtroom drama.

The colours are vivid, the detail incredible and the vocal performances, led by Foley, are fine. Happily, it works on both a child's and adult's level.

A Bug's Life may be the single most amazing film I've ever seen that I couldn't fall in love with.

Spacey and Hunt create interestingly layered characters who are hiding parts of themselves from themselves. And come Oscar time, Osment once again may be saying, 'I see tuxedoed people.'

Less a worthy achievement than a nice try.

As ever with gambling films, it's difficult to convey the thrill of winning at second hand; the human-interest complications are unconvincing and Spacey himself, I'm afraid, is a lugubrious and deadening presence.

If only director Robert Luketic and screenwriters Peter Steinfeld and Allan Loeb had not opted for glitz. As filmmakers, they're playing for very low stakes.

Taut Wall Street drama takes an inside look at financial and human meltdown.

[It] gives us villains that, rather than being sympathetic, are well-argued and reasonable. It gives us heroes that, whilst idealistic, make immoral choices for their own betterment. Margin Call is complex, fury-inspiring, and thoughtful.

Start calculating the costs to Lunar Industries of its singular form of devaluing, and Moon's central premise stops making sense.

A well-assembled sci-fi thriller.

Fun, throwaway, unofficial remake of the classic 1980 workplace comedy Nine to Five.

he trio's hysteria mounts in a manner conspicuously designed to conjure up comparisons with the panic experienced by the boys in The Hangover.

For all the mountains of kryptonite ranged against him, you never fear for Superman or Lois Lane, never experience anything more intense than the fret of mild peril.

The battle is won: but only just.

The Men Who Stare at Goats makes [True Lies] seem like a sensitive and balanced take on American/Middle Eastern relations.

All in all, Goats would have been groaningly familiar, even back in the 1960s.

I am baffled by all the negativity surrounding it, and I am prepared to designate it as the most underrated film of 2001.

Just as staple foods can sometimes be enjoyable, so this easy-to-digest, gently amusing drama is a pleasant way to fritter away a couple of hours.