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As gangster thrillers go, this one is a ripper. William Monahan, Oscar-winning screenwriter for The Departed (2006) has adapted Ken Bruen's book in great style and directs his top cast adroitly

A stylish if familiar tale of a man hopelessly entangled in his past.

A few laughs, some fantastic CGI and a great cameo from Keith Richards aside, this is turgid and tiresome.

Mind-bogglingly, there's virtually no swordplay for the first two hours; when Keith Richards shows up for his soused cameo, the visual joke hangs in the air.

While [it] offers up the kind of creepy, carnal delights we usually enjoy in a Cronenberg flick, I found myself more intrigued by the matters of the mind that are more fleetingly addressed.

While very much a dialogue-heavy historical film, all the recognisable elements of Cronenberg's preoccupations can be found in A Dangerous Method.

A patchy and overlong sequel but still full of humour and top-notch action.

The new plot has all the appeal of a seaweed sandwich, being dark, salty, and indigestible.

A certain generosity of spirit is required here, but the performances are excellent and the central premise ... is a solid and amusing one.

Writer/director Lorene Scafaria moves her apocalyptic rom-com into new territory for such a formula-driven genre.

Loads of fun as long as your expectations aren't overly raised by the hype, the cast and the taglines.

For the cuddlers out there who like things a little too light and fluffy.

It doesn't wash - they just end up with hogwash...

Ultimately it doesn't amount to much, but like Starks' drug-induced trip, The Jacket is about the journey not the destination.

It's just a lot of fun.

Here -- in a Jerry Bruckheimer-produced high-seas adventure that incorporates roaring cannons, oddball comedy, a love story and more than a touch of the supernatural -- Depp unleashes his theatrical bravado. He's hilarious.