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This is shocking only for its tepidness; except for some raunchy language, it's ready-made for basic cable.

National Lampoon recycles countless collegiate comedies for this spin-off sequel.

What holds it together are the subtle loving performances by Tabu and Khan, both Bollywoood stars. They never overplay, never spell out what can be said in a glance or a shrug, communicate great passion very quietly.

It is a saga told in small pieces, a patchwork of short scenes that tumble after each other almost apologetically, as if they would love to linger a little longer, but there is too much to tell and only so much time in which to do it.

For all the mountains of kryptonite ranged against him, you never fear for Superman or Lois Lane, never experience anything more intense than the fret of mild peril.

The battle is won: but only just.

Sequels without their original stars are usually sent direct to video. Some deserve better, [but] this isn't one of those.

Kennedy is feeble and even Alan Cumming makes less of a meal than he could of his role as the petulant god of mischief.

Most Wanted isn't aiming for social commentary, but it isn't too difficult to enjoy its good-natured humor.

Jamie Kennedy's B-Rad is based on a character from his TV show -- and as the centerpiece for a sketch, he's hilarious. But the B-Rad joke wears thin when stretched across a feature-length film.

Stuffed with attitude but just as hackneyed as the original.

Since Cannon and Milian have to squash any frisson to avoid sinking into pure escort-service sleaze, there's not much rom in the rom-com.

A multilayered goof on ethnic stereotypes...

Warm, crazily inventive and sometimes hysterical...

The parody is not a bad genre, as the early Zucker films showed us. It's just been put in the control of bad filmmakers.

Epic in its crapness.