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Cursed is no Scream, but it is at least a healthy yelp.

Makes you long for the days when teenage werewolves were beady-eyed, slavering versions of hairy-palm jokes.

This movie wants to be sweet and dark at the same time, but it is as distant as a planet's satellite.

Bogs down in weak dramaturgy about love and commitment.

The redeeming thing - and it's really all in Heigl's performance - is that Jane knows she's a silly clich, and spends most of the movie inwardly wincing at her own haplessness.

What a maddening waste of Katherine Heigl this insipid romantic comedy is.

Awash with sentimentality, this meandering tale falls way short of Crowe's usual standards.

The hero's nuclear family and kooky rural relatives are so sketchily conceived that none of the intended comedy works, and the balance of the movie is given over to one of Crowe's sugary romances.

While there is no doubting the appeal of Eckhart and Aniston as a screen couple, their scenes together come over as decidedly slight when compared to the weightier issues raised by the movie as a whole.

It's awful.

What is so dreadful about unearned fame and undeserved riches that warrants this faux-Antonioni despair?

At last, Adam Goldberg has given us his 8 1/2. It's an ambitious rumination on fame, reality, love, loss and regret that falls so far short, he should have called it 2 1/8.

The greatest asset is Garner, who invests Jenna with disarming winsomeness and loads of klutzy teen-like charm

Like Hanks in Big, and Jamie Lee Curtis in Freaky Friday, Jennifer Garner is funny and endearing ...

An intermittently entertaining comedy/drama with a funny script and a fatal miscasting.

Go for Caan and Farmiga, and stay to be surprised by Reeves.

The fourth feature from Jay and Mark Duplass is the least impressive of their canon, despite it being sweet and slight and slim in all the right ways.

The entire action of the film, right up to its final revelation, could be played as a dead straight, emotionally choked drama of the cosmic supernatural.

Self-aware but self-regarding indie navel gazing; no cause for celebration.

If you're a fan of jaundiced views of Hollywood or unedifying portraits of dysfunctional families, look no further.

Judging by the actors involved in Barry Blaustein's amusing but unpolished comedy, it's fair to assume he has a friends in high places. That's good, since they refine Peter Himmelstein's rough script.

The heavy-handed "Peep World" has a few laughs sprinkled over its abbreviated running time as it limps to a predictable conclusion.

D'Arienzo's love of trite indie-movie signposts of comic quirkiness -- deadpan delivery, overly formal camerawork, characters delivering dialogue into the camera, stunt casting -- is ultimately regrettable.