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The fourth feature from Jay and Mark Duplass is the least impressive of their canon, despite it being sweet and slight and slim in all the right ways.

The entire action of the film, right up to its final revelation, could be played as a dead straight, emotionally choked drama of the cosmic supernatural.

Judging by the actors involved in Barry Blaustein's amusing but unpolished comedy, it's fair to assume he has a friends in high places. That's good, since they refine Peter Himmelstein's rough script.

The heavy-handed "Peep World" has a few laughs sprinkled over its abbreviated running time as it limps to a predictable conclusion.

Profane, shockingly un-PC and often laugh-out-loud hilarious, this is the sort of parody that the folks who made the Airplane and Naked Gun movies used to make -- funny.

Kesselman keeps the movie crackling with the raucous energy absent since Mel Brooks' heyday.

The greatest asset is Garner, who invests Jenna with disarming winsomeness and loads of klutzy teen-like charm

Like Hanks in Big, and Jamie Lee Curtis in Freaky Friday, Jennifer Garner is funny and endearing ...

The redeeming thing - and it's really all in Heigl's performance - is that Jane knows she's a silly clich, and spends most of the movie inwardly wincing at her own haplessness.

What a maddening waste of Katherine Heigl this insipid romantic comedy is.

D'Arienzo's love of trite indie-movie signposts of comic quirkiness -- deadpan delivery, overly formal camerawork, characters delivering dialogue into the camera, stunt casting -- is ultimately regrettable.

Awash with sentimentality, this meandering tale falls way short of Crowe's usual standards.

The hero's nuclear family and kooky rural relatives are so sketchily conceived that none of the intended comedy works, and the balance of the movie is given over to one of Crowe's sugary romances.