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There's arguably even more gun and car play than in F&F4, with the prolonged car chase finale easily chiming in as the best, most imaginative one in the franchise so far.

[Johnson's] skin looks as though it's been slathered in butter; his enjoyment is infectious and keeps the movie speeding along.

Though I admit the title of the film is slightly dumb, I can't really fault much else going on here.

The latest film is extremely noisy, features some fine stunt driving, particularly in its opening sequence, but it's dramatically a bit of a dribbler. I'm still trying to figure out the relationship between the opening of the film and the ending.

Jake [is] forced to swallow his pride and ask girly Brewster to train him. It's a marginally subversive moment in a movie that otherwise falls in line.

This isn't as much a movie as it is a recipe for a cinematic casserole in which the ingredients are clichs and rip-offs.

Even more than most horror films, The Texas Chainsaw Massacre: The Beginning, feels desperately unoriginal

Gross and sadistic but never scary.

It's so spoofy it's difficult to call 'good' or even 'bad'; just say it's smooth.

Is it a satire of stupid movies? Is it just a stupid movie?

A credible portrait of an era, and draws in its tensions and conflicts with quite some power.

Strangely dispassionate and uncommitted for a movie about passionate commitment.