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Gere is hypnotic, writer Henry Bean's construction is entertainingly intricate, and director Mike Figgis knows how to turn on a subtle, authentic erotic heat.

Figgis never lets the pace slow long enough to expose the story's thinness despite, in retrospect, a moderate amount of action.

The Scout is the best comedy-fantasy about baseball ever made, which goes to show that if Hollywood keeps trying, eventually someone will get it right.

Even with the modest allure of Albert Brooks in what amounts to a mainstream effort, The Scout should get a quick trip to the showers.