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The movie simply never comes together and works as a whole. The material is terribly thin.

Junior Bonner, based on an excellent original screenplay by Jeb Rosebrook, is Peckinpah in the benignly comic mood that, I suspect, is much more the natural fashion of this fine director than is the gross, intellectualized mayhem.

After the fizzle of the later Roger Moore Bonds, The Living Daylights brings in a new 007 in Timothy Dalton, who manages the Connery trick of seeming suave and tough at the same time.

With its weak plotting and distinterested performances, this is a misfire on nearly every level.

A breezy, peppy frolic and a tour de force for Chase.

Michael Ritchie's 1985 mystery comedy has the pleasant, modest feel of a Fox B picture from the 30s.

Hoffman doesn't get the chance, or need, to act: he just does things, like Ford.

An absolute hoot.

Revel in the sheer insanity and unique humor of this cracking jungle adventure.

Feels as if the picture were edited to leave the action sequences in while removing any connecting material that might have helped them make sense.

Perhaps they don't create quite enough deeply funny earthlings to go around, but a thoroughly meanspirited big-budget movie is always a treasurable rarity.

oaded with wit, nifty little ideas and an extraordinary sense of design, but its allure is of quite a particular nature, much closer to that of Ed Wood than of Burton's earlier, and far more commercially successful, works.

Too chaotic to work as a thriller.

What The Underneath lacks is the kind of emotional connection that the best film noirs have. Instead of involving, this film is distancing, too given to admiring its own shiny surface.