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A catchy but irrelevant title is the first of many problems with Excuse Me for Living, which throws together a lot of superficially flashy elements that never gel in any organic way.

Like Lloyd, who plays the clinic's leading loon, "Excuse Me" is much more about making fun than making sense.

No one will mistake director Alejandro Chomski's Feel the Noise for great drama. But there's an undeniable sweetness to the characters, the performers are highly appealing, and the music sizzles.

Could have used more music.

Starts out with an intriguing premise but grows muddier as it grows more mystical.

Ends up reducing its hero's struggle (and bad attitude) to a single past trauma and its resultant daddy issues.