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Based on Cassavetes pere script, this Cassavetes fils meditation on love and madness is a truly curioisity item, lacking the master's profound ideas and rich subtext; 20 years ago, it would have starred Gena Rowlands, Ben Gazzara and Peter Falk.

Nick Cassavetes' first feature celebrates the acting grandeur of his mom Gena Rowlands, casting her in the lead role as a older woman who would rather stick to her independent lifestyle than be dependent on her kids; I wish the script were better.

The movie is likable and sympathetic but probably too muted to compel much damn-the -torpedoing to the multiplex.

Watching 35 years later, you're struck by its forward sense of therapeutic misfortune.

Falk and the rest of the cast are exceptional -- even the smallest roles feel spot-on -- but Rowlands is the film.

Gena Rowlands turns in another virtuoso performance as the troubled actress. Cassavetes' highly personal work will please his coterie of enthusiasts, but for general audiences it will be viewed as shrill, puzzling, depressing and overlong.

John Cassavetes was unique in his visions and his films.

Cutting through cinematic fakery, Cassavetes scalps the marriage and its extended, often dysfunctional relationships

Faces is the sort of film that makes you want to grab people by the neck and drag them into the theater and shout: 'Here!'