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A cheerfully frothy romantic comedy that benefits from sharp writing, lively performances and touching characterisation.

As a film, however, item misses its mark, failing to capitalize on the staccato rhythms and sardonic wit of Bridget's inner life.

A sequel that should have been buried six feet under.

It's testament to Zellweger's likeability and skill that the film is still enjoyable, but it lacks the element of surprise.

The film's strengths are still Jackie Chan's fascinatingly inventive fight sequences: extensions of the knockabout physical comedy of the great silent era.

It's a merry surfeit, lofted by calisthenic wow above the usual level for late-era Jackie and Wilson's mellow-gold delivery.

It's one of Allen's lesser films yet, as is so often the case with his B-material, it still features terrific performances...and a cluster of truth-nailing scenes that are better than what you typically find in major releases.

Allen's mixed experiences with London stand in sharp contrast with his love affair with the French capital (the setting for last year's return to form, Midnight in Paris).