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Most gags are as weak as they are derivative, offering little incentive to suspend one's disbelief, and as for the gender politics, well... you can only imagine.

Odds on you know what you're in for, so if you're prepared to shell out your reddies for it, you'll find it amicable enough.

In gasoline terms, Premium isn't. But the romantic dramedy has some high-octane emotional moments, thanks to writer-director Pete Chatmon's wise dissection of the games one-time lovers play.

Standout thesping by stars Dorian Missick and Zoe Saldana, along with fully fleshed-out secondary roles, distinguish Pete Chatmon's gentle comedy.

The weight-watchers script sensibly dispenses with several characters to serve a brew that's enjoyably spicy but low on substance.

Hannibal Lecter is the ostensible cannibal of this franchise, but the real cannibals are his creators. I wouldn't be surprised if the next time, they have him endorsing his favorite Chianti.

As car wrecks go, Highwaymen is a five-lane pileup on the freeway to hell.

Both the well-choreographed crash scenes and the gritty cinematography hint at a better film. Shame no-one took the time to make it.

Though there is a near vaccuum at the center of the film, Sommersby is never boring, largely because of Ms. Foster's beautifully self-possessed presence.

From start to finish, it is a well-crafted film: part love story, part mystery, and all drama.

Resonates with intelligence and a poignancy.

Without getting grand or preachy, the Sprechers use an unconventional approach to coax us into asking ourselves fundamental questions.

Splinterheads might suffice some late night on cable, but that's about it.

A shaggy comedy with more heart than heft.