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One of the great moviegoing experiences.

This is dopey Hollywood mysticism all right, but thanks to considerable craft and showmanship, it packs an undeniable punch.

Franois Truffaut's iconoclastic feature debut and one of the most enduring examples of the French New Wave.

What is there to say about The 400 Blows that hasn't already been said?

Even at the science-fiction horror-story level, the movie fails -- partly, I think, because Truffaut is too much of an artist to exploit the vulgar possibilities in the material.

This 1966 film often looks good (it was Truffaut's first in color, photographed by Nicolas Roeg), but the ideas, such as they are, get lost in the meandering narrative.