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The title of this teen disaster-by-numbers affair could not be more apt - as a collective omen for all those involved

The setting in deserted Moscow is the biggest point of difference about this ho-hum end of the world scenario. Also invisible is the tension to give this apocalyptic sci-fi action thriller scares and impetus.

Each story has its moments, but Air lacks an overarching vision.

Brendan Fraser is Pleasure, Sarah Michelle Gellar is Sorrow, Kevin Bacon is Love, Forest Whitaker is Happiness, and the director is Pretension.

This may be a minor movie, but it displays the hallmarks of a major talent.

Achieves the highly improbable by making one of the most exciting events of the 1960s look really boring.

You have to be 12 to like it, and I have to say there is little or nothing here to remind us why we were all quite so excited about The Matrix.

Twelve-year-old boys should be wowed, but for the rest of us, it will depend on your appetite for eye candy.

At the moment, it's my favorite movie of the year.

Sean Penn gives a meticulously detailed performance as the cagey and charismatic pol, but credit should also go to Dustin Lance Black, whose script squarely locates Milk at the center of his community, his city, and his cause.

I found the never-ending circle of skates, booze, drugs and girls rather repetitive and boring, but skate-board fanatics will lap up every intense moment

These kids can act, and they can ride those boards.

It's like a cheap, nasty dessert: completely devoid of nutrition, probably very bad for you, but kind of delicious while it briefly lasts.

Stage-to-screen adaptations are rarely this primal, and it's been a long time since a William Friedkin film has felt so vital.

Although she comes across as bordering on insufferable, we are expected to understand that Sandy is the touchstone of honesty in the film because, like other American films of the Sundance variety, eccentricity signifies emotional authenticity.

Weaver pretty much keeps Imaginary Heroes aloft.

Beneath the 1950's seemingly placid exterior of Ozzie and Harriet normalcy, there were -- brace yourself! -- sinister undercurrents at work.

There's little reason to see the movie. Unless, of course, you get off on watching the sexual exploitation of underage girls.

Altar Boys doesn't strive to revolutionise the genre, but by playing to what it knows the film works as an appealing teenage reminiscence.

Works as pretty contagious fun.

You know you're in trouble the second you take a look at Bruce Willis's fake liver spots.

Overall though, it's a messy, superficial affair: it lacks focus, shifts uneasily in tone, and shoehorns in star names (Sharon Stone, Bruce Willis) to little effect.