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The humor is too throwaway when it isn't laid on with a trowel.

In keeping with the audience it is aimed at, the film is self-consciously cynical and insolent, and at the same time fundamentally romantic and seeking to be liked. The combination works surprisingly well, thanks to good ensemble acting.

In her first feature film, Masterson creates a slice of life that is very believable (especially if you've ever seen The Jerry Springer Show), and often endearing.

There are only so many story threads an ensemble cast can hold.

Director-producer Stanley Kramer and scenarist Abby Mann have distilled the essence of Katherine Anne Porter's bulky novel in a film that appeals to the intellect and the emotions.

Don't look now, but as you might expect with message-mad Kramer at the helm of this adaptation of Katherine Anne Porter's novel, there's a heavy allegory aboard.