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Poitier does an excellent job in both the light and serious aspects of his role, and manages to leave a personal stamp on his scenes.

Harris, Stanley Kubrick's former producer, here came up with his own Dr Strangelove variant, muting the black humour but just as incisively diagnosing nuclear insanity.

A solid network effort about heroism in a most immoral world.

If there's a small saving grace to this crude thriller, it is the work of Montreal-born director Christian Duguay, who shows flashes of real flare.

Intelligent and gripping.

[Fonda] makes all the right choices, from the mechanics of her walk and her voice inflection to the penetration of the girl's raging psyche. It is a rare performance.

Fonda is simply a revelation, beautiful, sassy and streetwise, and yet hauntingly vulnerable. She deserved her Oscar in a role she has never bettered.

The relentless plot is effectively set up and expertly pursued, and Hugh Masekela makes some striking contributions to Dave Grusin's musical score.

It's filled with obvious, earnest performances--Marlon Brando's ironic and subtle one is the only exception--and unresonant writing.

Seems designed to reward Jackson with his biggest adult part to date, though it doesn't give the Vancouver, B.C., native a lot to work with.

Good Will Hunting but in the Midwest and minus the tortured math genius, psychological breakthroughs, and convincing local color.