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Anthony Shaffer penned the screenplay which, for sheer imagination and near-terror, has seldom been equalled.

Robin Hardy's 1973 cult horror film passed through several distributors, several versions, and several bankruptcies, picking up a powerful reputation along the way.

One of Ritt's best films, with fine performances all round, impressive Death Valley locations, and superlative camerawork from James Wong Howe.

For this is a first-rate cooking of a western recipe-not a great Western film nor a creation, but an excellent putting of heat to a fine selected blend.

The film is a way-out, walleyed, wonderful exercise in cinema. It is also a social satire written in blood with a broadaxe. It is bawdy as the British were bawdy when a wench had to wear five petticoats to barricade her virtue.

If Tom Jones now feels something of a product of its times, it still deserves credit for attempting something new.