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If you feel the need for speed in John Singleton's sluggish sequel to The Fast and the Furious then remember: just say no.

The vehicular action in 2 Fast is profoundly low-tech, and engagingly brawny.

If you only ever see one bad movie about warrior chicks who meet on a tropical isle for a fight contest, make it DOA: Dead or Alive.

Quantcast The plot is but an excuse for a series of elaborately choreographed fight sequences featuring a combination of digital and wire work that somehow manages to feel completely fake despite the obvious physical exertions of its well-trained cast.

The film plays like an extended-cut scene from an Xbox 360 shooter, but heroic sons of bitches mixed with exploding torsos at humanity's darkest hour sometimes equals splattery fun.

It's photogenic people killing mutants before green screens; what more could you ask?

It's so spoofy it's difficult to call 'good' or even 'bad'; just say it's smooth.

Is it a satire of stupid movies? Is it just a stupid movie?

Half home movie, half product placement, and almost completely worthless.

This narcissistic mockumentary is less a film than a full-length promotional video for Roc-a-Fella Records mogul/director Damon Dash.

Starts off feeling clever and original but turns silly and diffused as its convoluted story spins out.

All of the riffs are twice and thrice removed, but the effect is lively rather than tiresome, largely on the strength of game performances, Sean Lennon's atmospheric score, and writer/director Jordan Galland's clear affection for his sources.