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Jewison's lack of interest in developing anything other than his rather debatable ideological point relegates the film to the realm of moderately competent TV drama.

Ridley Scott's gangster flick aims high and mostly measures up.

Best of all, there are top-flight performances from both Denzel Washington and Russell Crowe who create interesting, rounded characters out of potential clichs.

Washington is customarily solid as the naval shrink, but directs without imagination or flair, sticking to Hollywood conventions and skimming over the harsher aspects of Fisher's life.

A mind-numbing, soul-deadeningly dull experience, it is a miracle of mediocrity, a small wonder: how can anything be quite this tedious?

A carefully conceived, dramatically honorable picture that treats its subject with clarity and intelligence, especially by contemporary standards.

As the detective-story flashback structure gets under way, what initially seemed adherence to dramatic and moral clich becomes more complex and interesting.

This is a boy's movie all the way.

The screenplay may be credited to Michael Schiffer, but the punchy dialogue has Quentin Tarantino written all over it. The cast has a ball.

Washington does a remarkable job of transforming himself into the articulte and mesmerizing black nationalist leader, whose refusal to keep silent led to his death in police custody and a subsequent coverup.

An implacable work of authority and compassion, Cry Freedom is political cinema at its best.

Entering the main flow of the story relatively late, Don Cheadle steals all his scenes as a live-wire, trigger-happy old buddy of Easy's from Texas, while Sizemore and Mel Winkler, as colorful underworld figures, make strong impressions.

Sheer pleasure.