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The Grey remains a genuinely gripping survival story and a refreshing change from stale urban action flicks.

The Grey features some astonishing sequences, spectacular cinematography, excellent performances and heartfelt ruminations on mortality, faith, masculinity, hope, family and existence. It also has really really cool wolves.

It may not completely satisfy as a musical tribute to the great Johnny Cash, but it leaves you with a strong sense of the man, his rebellion and the tangible bond he shared with the woman he loved.

I advise you catch up with Walk the Line, if only for Ms. Witherspoon's transcendent joyousness as a still-growing legend within a legend.

With Flicka, young ladies who weren't in the market for Brokeback Mountain get their own chance to drool over the wide open spaces and awe-inspiring mountains of Wyoming, if they can avert their gaze from the gorgeous horses, that is.

It's got lovely vistas, and earnest performances, and Allison Lohman... is very believable.

While the rambling storyline and extended time-frame betrays the script's novelistic roots, soulful performances from Farrell, Sissy Spacek and newcomer Dallas Roberts make this a rich and emotionally rewarding experience.

Vastly enjoyable, nicely shocking and genuinely touching.