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There are moments when it seems as if it wants to be an inspirational story about a person who refuses to be beaten by a corrupt system -- but it doesn't, in the end, settle for the uplifting narrative.

Every element, including the photography, the production design, and Eastwood's own plaintive music score, seems close to perfection.

A good deal better than it has any right to be.

Strains to achieve the enchantingly sublime, but ends up sinking to the depressingly ridiculous.

A classy 'boo!' movie for those who like their horror polite.

Don't be surprised if you wake up at 3am after you've seen The Exorcism of Emily Rose. I did, and there are enough frightening moments to make even the calmest people jumpy.

As car wrecks go, Highwaymen is a five-lane pileup on the freeway to hell.

Both the well-choreographed crash scenes and the gritty cinematography hint at a better film. Shame no-one took the time to make it.

As disposable as they come, National Security is a modestly entertaining re-hash of cop-buddy films of the 80s.

This is a two-star movie dragged down a star because of its unrepentant racism.

Fitfully charming and sitcom cute.

Tierny's script is smart and funny although some of the jokes are likely over the heads of a teen audience, who may not be up on their Russian revolutionary lore.

Worth seeing for the delightful banter between Feore and Bouchard.

As with all buddy movies, Bon Cop Bad Cop succeeds on the strength of the leads' rapport.