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Pleasant but forgettable, it's destined to end up as little more than a minor footnote on Pine's megastar CV.

The whole thing ends with a jolly multicultural dance montage so gruesome that temporary blindness would be a blessed relief.

As a rather strenuous attempt at a feel-good movie, Bottle Shock falls a long way short of the mark.

It's not in the same league as Sideways but it has a fragrant sense of the beauty of wine and winemaking, not just the drinking.

even if it offers Lohan her first role as a grown-up, places her in a corporate New York, and contrives a scene in which she gets to wear a dress owned by Sarah Jessica Parker, the sex in this city never seems to get beyond first base.

The real rot is in the script.

In one of the best, brightest, most beautifully realised and visually sumptuous tentpole animation films of the year...an absolute joy to behold, as lovingly made a piece of corporate entertainment as you're likely to find at the multiplex.

Rise of the Guardians is both reasonably quirky and mildly serious. It wants children to believe there's more to animation than fast food tie-ins.

One of the most accessible and entertaining films of the year.

A franchise is reborn, at warp speed.

Entertainment at its fluffiest but as a date movie with some genuine laughs, it works - just overlook the voyeuristic undertones and you'll have fun.

A film during which very bad things happen very often, and none of them are noticeably funnier than genital trauma brought on by an air rifle.

(Director Tony) Scott is much better at building tension here than he was in 2009's so-average-it-hurt remake of The Taking of Pelham 123.

Unstoppable certainly is nail-biting -- if only for the furious editing, swooping cameras, crash zooms and thunderous soundtrack. It's a shame that it's impossible to escape the sense of autopilot that pervades.