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Cusack, with his one-of-the-guys face and his nice way with child actors, does creditable work as an Average American Dad trying to put things right.

2012 is the rare case of a bad film that I'm nevertheless obliged to recommend you see.

A compelling and haunting look at a dystopian England.

Cuaron fulfills the promise of futuristic fiction; characters do not wear strange costumes or visit the moon, and the cities are not plastic hallucinations, but look just like today, except tired and shabby.

Ridley Scott's gangster flick aims high and mostly measures up.

Best of all, there are top-flight performances from both Denzel Washington and Russell Crowe who create interesting, rounded characters out of potential clichs.

Emily Mortimer is impressive as a jittery, unlikable attorney whose impulsive actions trigger Mike's descent. But it's Ejiofor's film all the way.

Ejiofor remains a supremely assured, charismatic presence, though he has his work cut out here. He is pitted against a film with a black belt in pomposity and a gold medal in preening self-regard.

An intelligent and extremely well-made romantic drama that tells an intriguing story with economy and insight.

An impressive mix of entertainment and social comment, spinning a great mystery even as it confronts an ugly world.

Overall, it's breezy, forgettable fluff, but 'kinky'? Obviously, the term is relative.

You'll giggle and laugh and never look at those things on your feet the same way again.