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It's sexy, offbeat fun for the most part, but it's way too laid-back for its own good and, in the end, obstinately refuses to be anything more than the sum of its highly promising parts.

Newcomer Foster cites Lauren Bacall as a precursor, but her ingnue fatale is more like a lost Olsen triplet.

... a gripping piece of combat theater.

It's hard to believe this is writer-director Danis Tanovic's first feature fiction film.

It's a period re-created with a whoosh of energy and a redeeming vein of irony.

The ensemble performances are of such a uniformly high caliber that our interest in the story never wavers.