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The drama never feels more than a well-shot TV soap. Worse is Roos' tragic insistence on text inserts to explain every motivation, making the whole thing look like a fatal cross between Queer As Folk and VH1's Pop Up Video.

A quirky and often enjoyable film about dysfunctional relationships, Happy Endings brings together separate stories about complicated characters who are all trying to deal with the truth.

Faced with the unenviable choice between honoring his daunting inspiration and telling his own story, the director shoots straight down the middle -- and misses both targets.

Offers is the opportunity for a bunch of actors, many of them tethered to TV series, to deliver theatrical monologues pulsing with misogyny and narcissism. It's like second-rate Neil Labute.

Win Win is a warm, wonderful comedy, smartly written, full of great performances (particularly from supporting superstars Amy Ryan, Bobby Cannavale and Jeffrey Tambor) and bad haircuts (yeah, a lot of the characters have bad haircuts).

Beautifully observed, this serio-comic film is the stuff of life and, despite the plot contrivances, very engaging in its quiet way.

A promising debut that makes us anticipate this Columbia University film grad's sophomore work.

Buoyed by strong performances from Perez and Miami-resident Milian, Washington Heights overcomes the familiarity of its premise through its passion and conviction.

I found myself really quite enjoying this film, partly for its cheerful guying of mall culture. The heroine, Amy, works on a hair extension stand called Unbeweavable.

There's no doubt that James is a fine comedic actor and the role of Paul Blart fits his big frame like a well worn glove. As writers, however, he and Bakay rely too heavily on slapstick...

So often the bearer of gravitas and dignity, Freeman shows up with a smirk on his face and a song in his heart

This is a sharp little slice of whimsy with Freeman giving a funny, very laid-back and sometimes touching performance.

Neither slick nor sophisticated, but inspiring nonetheless.

Politically powerful, but filmically flawed.

The talents of Williams and Collette are wasted in this ultimately silly psychological thriller that aspires to explore the line dividing perception from reality,"

This thriller about books, belief and betrayal covers topical terrain -- JT LeRoy and James Frey, anyone? -- but itself proves unbelievable.