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The lavish production, boasting some brilliant special effects and superior creative efforts, is an entertaining, enlightening excursion through inner space -- the body of a man.

This special effects extravaganza from 1966 has proved surprisingly enduring, despite a technical quality crude by contemporary standards; perhaps it's the screwball poetry of the plot.

A tour de force for Cooper.

Blake Edwards directs with his customary wit, breeziness, and acute sense of pacing.

Operation Petticoat has no more weight than a sackful of feathers, but it has a lot of laughs.

Lemmon plays it dirty throughout and for huge effect. Curtis underplays for equally comic effect. Wood comes through on a par with the two male stars.

This is one of those spectacular comedy star vehicles which is perfectly watchable on a wet Sunday afternoon but which, looked at from almost any other perspective, is just a waste of celluloid.

At 160 minutes, Anatomy is longer than the subject warrants, but the pace seldom slackens -- thanks to the competence of Director Otto Preminger.

To me Remick's damaged, dysfunctional presence is the really subversive thing about the picture. And Stewart's grandstanding attorney propels this long film to its final verdict.