Popular Arthur Kennedy Products

Peyton Place, with its myriad plot threads and cast of characters is a rollicking good yarn with obvious melodramatic tensions borne from some very juicy themes.

Under Mark Robson's direction, every one of the performers delivers a topnotch portrayal.

A sort of frontier Exodus that's filmed with a majestic passion for the wild lands and for its indigenous dwellers.

Somewhere in the telling, the original premise of the Mari Sandoz novel is lost sight of in a wholesale insertion of extraneous incidents which bear little or no relation to the subject.

The lavish production, boasting some brilliant special effects and superior creative efforts, is an entertaining, enlightening excursion through inner space -- the body of a man.

This special effects extravaganza from 1966 has proved surprisingly enduring, despite a technical quality crude by contemporary standards; perhaps it's the screwball poetry of the plot.

Brooks honors the spirit of Lewis' cynical commentary on circus-type primitive exhortation with pictorial imagery that is always pungent. He also has written dialog that is frank and biting.

This gets progressively nastier and winds up with an impressive hellfire finish.