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A rather superficial and limited probe of American male sexual hypocrisies.

The picture has its moments of chilling insight, though essentially it is one more quaint early-70s stab at an American art cinema that never materialized.

Noirish, erotic, chaotic and intense, Bad Timing grows in complexity and emotional power as it progresses, with a wonderful soundtrack and some exceptional cinematography.

the film's real problem is Roeg's willingness to sacrifice the logic of situation and character to facile shock effects.

It's probably just as well that last-minute dropouts Kim Basinger or Madonna didn't take the title role, as the presence of a star lurking powerlessly on the little platform no doubt would have been distracting and more laughable than it [is] now.

Grotesquely misconceived.