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Grace, the movie implies, is the genius behind what Vogue really sells, which is romantic aspirational fantasies for women.

While it's fun for fashionholics just to watch a movie in which people say "It's a famine of beauty!" and "The jacket is the new coat," the film becomes more substantial as it narrows its focus to two people: an artist and a curator.

The film successfully paints a picture of how this relationship worked so well as a business; it's less capable of penetrating the emotional story.

Stays firmly, admiringly, on the surface of things -- which is where all fashion kings should reign.

This affectionate documentary celebrates the veteran photographer who, at 84, still works a tough schedule, taking photos on the street of real people wearing real fashion.

He was the first, and what's obvious from this lively and engaging doc, an original.