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The acting is strong, and Arthur Miller's Oscar-winning photography gives the images a spooky luster, but a little bit of Ford's salt-of-the-earth piety goes an awfully long way.

Because his recollections ring true, they are certain to evoke a similar nostalgia in all but the most slab-sided of moviegoers.

Remains fascinatingly warped: an extended study in decaying flesh, set to a score mordantly trying to break into Hooray for Hollywood.

The ultimate camp-Gothic bitchfight. Vastly entertaining.

A great film, rich in thought and feeling, composed in rhythms that vary from the elegiac to the spontaneous.

Nicholas Musaraca's excellent cinematography contributes a number of fine effects, and there's a strange and witty aside on the invention of movies.

While the film has a tendency to wander into unadulterated Hollywoodisms in spots, it is a generally straight-forward and imaginative estimate of a two-century-old sociological theme.