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Repellent yet intriguing, brutal yet funny, wicked yet strangely compassionate, The Salton Sea is more about mixing genres and styles than illuminating a credible reality.

Sacrificing content for style, Caruso gives us a lot to look at but little to ponder.

Profane, shockingly un-PC and often laugh-out-loud hilarious, this is the sort of parody that the folks who made the Airplane and Naked Gun movies used to make -- funny.

Kesselman keeps the movie crackling with the raucous energy absent since Mel Brooks' heyday.

There's a gothic backstory to all this, which makes no sense but looks pretty cool.

Never has a title been more horribly at odds with the way you're actually going to feel while watching the movie.

There's something very weird about Andrew Fleming's movie, perhaps because it's essentially The Black Dahlia for tweens, with kissing but without the sex or mutilation.

For sheer objectionable stupidity and dullness, this film takes the biscuit.

What is so dreadful about unearned fame and undeserved riches that warrants this faux-Antonioni despair?

At last, Adam Goldberg has given us his 8 1/2. It's an ambitious rumination on fame, reality, love, loss and regret that falls so far short, he should have called it 2 1/8.

. I hate to label this lightweight romp a "chick flick", but when the title actually issues a challenge to the fairer sex, well, the writing is on the wall.

If you're a bit of a romantic with a penchant for playfulness, here is a fresh and funny, entertaining collision of hearts.