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...an impressive, funny urban comedy of manners from a suitably distinctive voice that I hope we'll hear again soon.

The film is character-driven with dialogue that flows as naturally as the River Seine.

It isn't the device that's so crude, but the execution, which turns Nash's persecutory demons into nuisances that won't leave us alone.

Crowe pulls out the stops, but he looks too bullish and controlled for such a pitiable victim.

. I hate to label this lightweight romp a "chick flick", but when the title actually issues a challenge to the fairer sex, well, the writing is on the wall.

If you're a bit of a romantic with a penchant for playfulness, here is a fresh and funny, entertaining collision of hearts.

What is so dreadful about unearned fame and undeserved riches that warrants this faux-Antonioni despair?

At last, Adam Goldberg has given us his 8 1/2. It's an ambitious rumination on fame, reality, love, loss and regret that falls so far short, he should have called it 2 1/8.

There's something very weird about Andrew Fleming's movie, perhaps because it's essentially The Black Dahlia for tweens, with kissing but without the sex or mutilation.

For sheer objectionable stupidity and dullness, this film takes the biscuit.

There's a gothic backstory to all this, which makes no sense but looks pretty cool.

Never has a title been more horribly at odds with the way you're actually going to feel while watching the movie.