|Publisher:||Random House Childrens Books|
|Publish Date:||Aug 2010|
|Number of Pages:||213|
|Shipping Weight (in pounds):||0.35|
|Product in Inches (L x W x H):||5.25 x 8.5 x 0.5|
Caroline Cooney was born in 1947 in Geneva, New York. She was raised in Old Greenwich, Connecticut. Cooney attended Greenwich High School in 1965 and then various colleges, where she studied Music, Art, and English but never graduated. She began writing while in college. Some of her young adult titles include Driver's Ed, Twenty Pageants Later and the Cheerleaders Series. She also wrote The Face on the Milk Carton, Whatever Happened to Janie?, The Voice on the Radio and What Jane Found.
The main character in these novels is a little girl named Janie Johnson who sees her picture on a milk cartoon and her journey to learning the truth about her abduction. Two of her titles The Rear View Mirror and The Face on the Milk Cartoon was made into movies. She has won many awards including an ALA Best Book for Young Adults and an ALA Quick Pick for Young Adults for for "Driver's Ed" and an ALA Quick Pick for Reluctant Young Adult Readers for "Twenty Pagents". Cooney currently resides in Westbrook, Connecticut.
This young adult thriller takes place in twenty-four hours and explores how people as well as the media can exploit a situation with devastating results, especially when innocent children are involved.
Jack Fountain knows that what’s happened to his family sounds like the most horrible soap opera anyone could ever write. But it’s all true. It happened—to his parents; to his sisters, Smithy and Madison. And to his baby brother, Tris. What made it worse was that the media wanted to know every detail.
Now it's almost Tris’s third birthday, and everything’s starting again. Aunt Cheryl, who’s living with the Fountain children, has decided that they will heal only if they work through their pain—on camera. It will be a field day for the media, and no one, except Cheryl, wants that. Jack and his sisters gear up to keep Tris’s adorable face off-screen, but they quickly realize that there is more at stake than their privacy. The very identities they’ve created for themselves are called into question. What really happened the day of their father’s accident?
The Fountain siblings have less than twenty-four hours to change their fate. Together, they will ask questions no one asked at the time of the tragedy. And together, they vow that this time, they will not be exploited.
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