|Foreword by:||Howard, Maureen|
|Publisher:||Houghton Mifflin Harcourt|
|Publish Date:||Oct 2002|
|Number of Pages:||197|
|Shipping Weight (in pounds):||0.7|
|Product in Inches (L x W x H):||5.38 x 0.77 x 8.46|
Maureen Howard was born on June 28, 1930 in Bridgeport, Conn.. She graduated from Smith College in 1952 and immediately went to work in the publishing industry. She later taught at universities including the University of California at Santa Barbara and Columbia University. She has won numerous awards including a National Book Critics Circle award for general nonfiction in 1980, and a Guggenheim fellowship. Howard first gained attention in 1961 with the publication of Not a Word About Nightingales.
In this work, a middle-class professor becomes disenchanted with his life and decides to remain in a small Italian village. In the course of the novel, his wife and daughter go through a process of self-discovery before settling back into a life of the routine and familiar. Howard's other novels also examine life-changing processes and the aftereffects.
Virginia Woolf was born in London, the daughter of the prominent literary critic Leslie Stephen. She never received a formal university education; her early education was obtained at home through her parents and governesses. After death of her father in 1904, her family moved to Bloomsbury, where they formed the nucleus of the Bloomsbury Group, a circle of philosophers, writers and artists. As a writer, Woolf was a great experimenter.
She scorned the traditional narrative form and turned to expressionism as a means of telling her story. Mrs. Dalloway (1925) and To The Lighthouse (1927), her two generally acknowledged masterpieces, are stream-of-consciousness novels in which most of the action and conflict occur beneath a surface of social decorum. Mrs. Dalloway, set in London shortly after the end of World War I, takes place on a summer's day of no particular significance, except that intense emotion, insanity, and death intrude.
To the Lighthouse's long first and third sections, each of which concerns one day 10 years apart, of the same family's summer holidays, are separated and connected by a lyrical short section during which the war occurs, several members of the family die, and decay and corruption run rampant. Orlando (1928) is the chronological life story of a person who begins as an Elizabethan gentleman and ends as a lady of the twentieth century; Woolf's friend, Victoria Sackville-West, served as the principal model for the multiple personalities.
(The book was made into a movie in 1993.). Flush (1933) is a dog's soliloquy that, by indirection, recounts the love story of Robert Browning and Elizabeth Barrett Browning and their elopement and life in Florence. Her last short novel, Between the Acts (1941), was left without her final revision, but it is, nonetheless, a major representation of a society on the verge of collapse. Having had periods of depression throughout her life and fearing a final mental breakdown from which she might not recover, Woolf drowned herself in 1941. Her husband published part of her farewell letter to deny that she had taken her life because she could not face the terrible times of war.
Leonard Woolf also edited A Writer's Diary (1953), which provides valuable insights into his wife's private thoughts and literary development. Equally informative are his own autobiographies, particularly Beginning Again and Downhill All the Way (1967), and The Letters of Virginia Woolf and Lytton Strachey. Virginia Woolf's Granite and Rainbow contains 27 essays on the art of fiction and biography. There are many sidelights on Woolf in the writings, letters, and biographies of other members of her Bloomsbury circle, such as Roger Fry, John Maynard Keynes (see Vol.
3), and Lytton Strachey (see Vol. 3). Also casting much light on her life, thought, and creative processes are The Common Reader (1925), The Second Common Reader (1933), A Room of One's Own (1929), Three Guineas (1938), The Captain's Death Bed and Other Essays, The Death of the Moth and Other Essays (1942), and various collections of her autobiographical writings, diaries, and letters. In addition, in recent years there has been a veritable industry of writers dealing with Woolf and her work.
|The London of Mrs Dalloway: A Map|
|Virginia Woolf, Introduction to the Modern Library Edition (1928)|
"Mrs. Dalloway was the first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since.
"Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century".
--Michael Cunningham, author of The Hours
Save $25 when you open a Walmart® Credit Card and spend $75 today.*
*Offer subject to credit approval