Textual and Visual Selves: Photography, Film, and Comic Art in French Autobiography

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Textual and Visual Selves: Photography, Film, and Comic Art in French Autobiography

Format:  Paperback,

273 pages

Publisher: Univ of Nebraska Pr

Publish Date: Dec 2011

ISBN-13: 9780803236318

ISBN-10: 080323631X

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The following content was provided by the publisher.
Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. "Textual and Visual Selves" investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas--and images--of self-representation.
Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the referentiality of the autobiographical account: on the contrary, the inclusion of visual material can even increase indeterminacy and ambiguity. Far from offering documentary evidence of an extratextual self coincident with the "I" of the text, these images testify only to absence, loss, evasiveness, and the desire to avoid objectification. However, where Roland Barthes famously saw the photograph as a prefiguration of death, in this volume we see how the textual strategies deployed by these writers and artists result in work that is ultimately life-affirming.

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Publisher: Univ of Nebraska Pr
Publish Date: Dec 2011
ISBN-13: 9780803236318
ISBN-10: 080323631X
Format: Paperback
Number of Pages: 273
Shipping Weight (in pounds): 1.0
Product in Inches (L x W x H): 5.5 x 0.9 x 8.4
Walmart No.: 9780803236318

Book description

Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas—and images—of self-representation.

Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the referentiality of the autobiographical account: on the contrary, the inclusion of visual material can even increase indeterminacy and ambiguity. Far from offering documentary evidence of an extratextual self coincident with the “I” of the text, these images testify only to absence, loss, evasiveness, and the desire to avoid objectification. However, where Roland Barthes famously saw the photograph as a prefiguration of death, in this volume we see how the textual strategies deployed by these writers and artists result in work that is ultimately life-affirming.

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