The Lover

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The Lover

Format:  Paperback,

0 pages

Publisher: Dramatist's Play Service

Publish Date: Dec 1965

ISBN-13: 9780822207047

ISBN-10: 0822207044

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Specifications

Publisher: Dramatist's Play Service
Publish Date: Dec 1965
ISBN-13: 9780822207047
ISBN-10: 0822207044
Format: Paperback
Number of Pages: 0
Shipping Weight (in pounds): 0.1
Product in Inches (L x W x H): 5.25 x 7.5 x 0.25

About the author

Biography of Pinter, Harold

English playwright, poet, and political activist Harold Pinter was born on October 10, 1930, in London's East End. From childhood he was interested in literature and acting. He studied at both the Royal Academy of Dramatic Arts and the Central School of Speech and Drama. Pinter was a Nobel Prize-winning English playwright and screenwriter. One of the most influential modern British dramatists, his writing career spanned more than 50 years.

His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted to film. Pinter published his first poems in 1950. He worked as a bit-part actor in a BBC Radio program and also toured with a Shakespearean troupe. Pinter has written over 30 plays, achieving great success internationally. He has also directed several of his dramas. Pinter was married to actress Vivien Merchant from 1956 to 1980, before wedding biographer Lady Antonia Fraser.

From his first marriage he has a son who is a writer and musician. Pinter has won numerous prestigious literary prizes in poetry and theatre. He was awarded the Hermann Kesten Medallion for outstanding commitment on behalf of persecuted and imprisoned writers. He has been granted honorary degrees at universities in England, Scotland, the United States, Bulgaria, Ireland, Italy, and Greece. In 2005, Pinter received the Nobel Prize for Literature. He died from cancer on December 24, 2008 at the age of 78.

Book description

THE STORY: A husband goes to his office politely asking if his wife's lover will be coming today. She murmurs 'Mmmm, ' and suggests he not return before six. In order not to return before six he will no doubt visit a prostitute. A competition is glossily established. When the lover does come, he is the husband, which is not surprising. The kind of sex-play follows that suggests this is the necessary titillation, and the necessary release of

hostility, between a man who means to be master of the house and a wife who means to be both wife and mistress, whatever the house may be. But there is a flaw in the accommodation. The lover is weary of his mistress; she is no longer particularly appetizing. By the time he returns, as husband, in the evening, his wife is still disturbed by the news. The performance of the afternoon has begun to carry over into the reality (or pretense) of the evening. Suddenly the husband is not quite husband, diffident over his drink. He is blurring into the lover, at the wrong hour, and angrily. The wife must seduce him now as wife, not as mistress. She does. —NY Herald-Tribune.

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