|
|
|
![]() |
|
![]() |
||||||||||||||||||||||||
|
Paul Anka's new Rock Swings on Verve is an interesting and slightly arresting record. It has some very good, and many very unique moments. The premise isn't new -- the reinterpretation of classic songs by an established singer -- it's just the unusual context that's, well, interesting. Rather than revisit swing standards, Anka has collected a neat set of arrangements that put his personal swing into a whole new swing set. These are recent pop/rock hits and anthems. Rock Swings does, and Anka is swingin' the vocals from start to finish. His instrument is intact, and his sense of cool icier than ever. What's more than slightly off the beaten track isn't the treatment, it's the selection of material. You've got to admire the nerve of Paul Anka for making musical sense of what could have been every A&R man's worst nightmare. The CD was recorded at the legendary Capitol Studios, and features a tight, crispy Hollywood orchestra that would have made Dino, Frank or Bobby feel right at home. Randy Kerber does most of the arranging, knows how to get the most from his band, showcase a song, and frame a vocal in just the right light. REM's "Everybody Hurts" is transformed from a leather jacket torch song to a trench coat and fedora heartache. "It's a heartache either way, but beautiful." When the collection is at it's most successful is when it plays to the commonalities inherit in pop music. Love, loss, ennui and disillusionment are at the heart of postmodern pop, whatever the original groove. "It's My Life" is a Bon Jovi tune. Anka gives it a "Best Is Yet To Come" treatment. It's gritty. It's soulful. It's also swinging, but for a moment you find yourself wondering how much Jon actually borrowed from the whole Rat Pack deal. It doesn't just work: it actually makes sense. The Sinatra references, the clipped back beat horn pops, the crisp snare, all subtly transform you and win you over. Don't be mislead; this is radical, whack, totally different, but hummm. These might be "real" songs after all. Paul Anka, songwriter extrordinaire, knows what makes the tick tock in a song. He has a natural sense of form, both musically and lyrically. It seems more likely to have Jon Bon Jovi sing "Put Your Head On My Shoulder" than the reverse, but everything Anka ever wrote has been sung by casts of thousands. Turnabout is fair play, and Marshall Crenshaw (another cool songwriter) said "I never bother with the usual thing." Rock Swings isn't usual. It is interesting. At times it's brilliant, and throughout it's sincere and musical. On cuts like "Tears In Heaven," it's touching, tender and wise. Paul Anka's experience and talent give him an incredible musical perspective, and this CD looks at these tunes from a unique angle. By Dave Morgan
|
||||||||||||||||||||||||||
![]() |
|
![]() |
||
|
One of the biggest teen idols of the late '50s, Paul Anka moved to the adult sphere several years later and became a successful performer, songwriter, music businessman, and recording artist, remaining so well into the new millennium. Born in Ottawa, Ontario, in 1941 to parents of Lebanese Christian descent who owned a local restaurant, Anka proved a child prodigy, beginning his show business life at the age of 12 as an impressionist. By the age of 14, he was stealing the family car to drive to amateur singing contests in nearby Hull, Quebec, and writing his own songs. His first single, "I Confess," appeared on the Riviera subsidiary of Jules and Joe Bihari's RPM label. While on a trip to New York with a group of friends who sang as the Rover Boys, Anka gained an audition with ABC producer Don Costa, and sang his own composition, "Diana," an ode to a former babysitter. Costa liked what he heard, recorded the teenager, and watched as the single hit number one on both sides of the Atlantic later in 1957, eventually selling a reported ten million copies worldwide. Anka placed four songs in the Top 20 a year later, including "You Are My Destiny" and "Crazy Love," tempering the all-out rebellion of rock & roll with songs that questioned parental authority rather than promoting outright disobedience. He wrote one of Buddy Holly's last hits, "It Doesn't Matter Anymore," and moved into movies with Let's Rock and Girls Town. The latter film spawned his biggest American hit, "Lonely Boy," just the first in a string of 1959 chart successes including "Put Your Head on My Shoulder," "It's Time to Cry," and "Puppy Love" (written for old flame Annette Funicello, and later a hit for Donny Osmond as well). By 1961, when the teen idol craze began to cool off, Anka (a millionaire while still a minor) could boast of the over 125 compositions under his belt, his own record label (Spanka), and the recognition of being behind the second-best-selling single of all time (only "White Christmas" had sold more copies than "Diana"). Instead of resting on his laurels, Anka took on the adult market. First, he groomed a solo act and got bookings into that haven for sophisticates, the Copacabana. Anka next moved to RCA and, in yet another shrewd business move, bought the rights to his old masters and made a fortune on reissues alone. He diversified his career by appearing in several more movie roles (including the 1962 drama The Longest Day, for which he provided the title song). One of the first pop singers to do shows in Las Vegas, he also hosted television variety shows like Hullabaloo, The Midnight Special, and Spotlite, and moved on to foreign audiences in Asia and Europe (where he found his wife, Parisian model Anne de Zogheb). He wrote the theme to The Tonight Show (aired every weeknight for almost 30 years), rewrote the French lyrics to the song "Comme d'Habitude" for one of Frank Sinatra's most famous later songs, "My Way," and also wrote Tom Jones' biggest hit, "She's a Lady." Anka also branched out in the recording studio, recording theme albums such as Excitement on Park Avenue and Strictly Nashville. Although he had hit the Top 40 only once since 1963, Anka stormed the number one slot in 1974 with "(You're) Having My Baby," a duet recorded in Muscle Shoals, AL, with his singing protégée, Odia Coates. The duo's next two singles, "One Man Woman⁄One Woman Man" and "I Don't Like to Sleep Alone," both hit the Top Ten (his 1974 LP Anka reached gold), and his 1975 solo single "Times of Your Life" reached number seven. Anka charted into the early '80s, continuing his many casino and international appearances while recording sparingly but continually. As such, concert recordings and compilations constituted the bulk of his '80s and '90s discography, although he entered the studio also, most notably on the 2005 Verve date Rock Swings, a collection of contemporary standards. Its large success prompted a follow-up (of sorts), Classic Songs: My Way, from 2007, which included more contemporary standards as well as duets with Michael Bublé and Jon Bon Jovi. ~ John Bush, All Music Guide Information provided by Macrovision Corporation © 2009. All Rights Reserved.
|
||||
![]() |
|
![]() |
||
|
|
||||
![]() |
|
![]() |
||
![]() |
|
![]() |
||
Enjoy Great Financing!
Make the most of your shopping with these great Wal-Mart® Discover® or Wal-Mart Credit Card financing offers:
No Payment Offer - Enjoy No Payments for up to 6 Months!
Buy now and pay nothing for up to 6 months with Bill Me Later®. It's the quick, easy, secure way to buy online without using your credit card. Simply select Bill Me Later® at checkout. Subject to credit approval.
|
||||
![]() |
|
![]() |
||
|
About Our Prices
We strive to provide you with the lowest prices possible on Walmart.com as well as in our stores. However, sometimes a price online does not match the price in a store. Walmart.com's prices may be either higher or lower than local store prices. Our local stores do not honor Walmart.com pricing or competitor advertisements from outside of a store's local trade territory.
|
||||