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Anyone who thinks Norah Jones has been missing since the release of her 2004 sophomore album just hasn't been looking in the right place. The sultry singer, who won America's heart (and five Grammy Awards) with her bluesy jazz debut (Come Away With Me) in 2002, hasn't fallen off the map. She's just traveled in new directions.
In the past three years, Jones has appeared on albums with Amos Lee and the Foo Fighters; collaborated with Ray Charles -- something that earned her another pair of Grammys -- and provides piano and vocals for the country music act The Little Willies. If that isn't diverse enough, she also regularly performs with a New York glam band and raised eyebrows last year when she joined Mike Patton for the racy duet "Sucker" on his Peeping Tom project.
That might leave one wondering just where Jones's musical loyalties lie. On Not Too Late, her third release on the Blue Note label, she answers that question. No longer the starry-eyed dreamer, she uses all of her musical dabbling to craft a solid but sedate disc. For the first time, Jones emerges as primary songwriter for her material, writing or co-writing all 13 tracks. It's an interesting glimpse beyond the dreamy lounge pop that marked her first album.
Much of Not Too Late is filled with a sense of longing, beginning with the wistful "Wish I Could." The song feels a bit like a smoothed-over Springsteen tune, filled with visual imagery of a woman who misses a man who has gone off to war. Complicating the matter is the fact that the soldier belongs to a friend of hers. In a beautifully sparse arrangement, she tries to let go of her feelings -- but fails. Jones still is using the same instruments -- her piano and her voice -- but she doesn't fight to set the soothing romantic stage that made her famous.
The mood changes for "Sinkin' Soon," which has a vamped-up cabaret feel to it. The political message is close to the surface and the song takes on a carnival-like feel as she sings about impending doom. It's a far cry from her torch songs, but Jones is completely comfortable in the new territory. She takes listeners there gently, never allowing them to feel alienated by her musical wanderings.
Jones imbues the disc with the musical flavors she has experimented with in her side projects; "Until The End" hints at some bluesy gospel inclinations; "Broken" has the slightest bit of country twang to it. Anyone looking for Jones to repeat herself will be most pleased with "Thinking About You," a sexy love song about letting go. It hearkens back to the smoky sensuality of her debut, yet has a more buoyant feel.
The political references implied on "Sinkin' Soon" surface completely on "My Dear Country," a song in which she claims Election Day has replaced Halloween as the scariest day of the year. It's a gently rolling song that has a lilting feel as it questions the competency of our country's leadership.
Given that sentiment, it's hard to tell if "Wake Me Up," the song that follows it, is about romance or politics. Regardless, the music has a light sweetness that tends to be soothing, even when the lyrics feel disturbed. And that consistent sweetness makes whatever Jones is dishing out go down easy.
By Paula Felps
| Artist: | Norah Jones |
| Edited: | No |
| Format: | CD |
| Enhanced: | No |
| Number of Discs: | 1 |
| Release Date: | 01/30/2007 |
| Shipping Weight (in pounds): | 0.16 |
| Product in Inches (L x W x H): | 5.0 x 0.42 x 5.63 |
| Assembled in Country of Origin: | United States |
| Origin of Components: | United States |
Wal-Mart No.: |
000000000 |
| UPC: | 0009463745162 |
Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. Born March 30, 1979, in New York City, the daughter of Ravi Shankar quietly grew up in Texas with her mother. While she always found the music of Billie Holiday and Bill Evans both intriguing and comforting, she didn't really explore jazz until attending Dallas' Booker T. Washington High School for the Performing and Visual Arts. During high school, Jones won the Down Beat Student Music Awards for Best Jazz Vocalist and Best Original Composition in 1996, and earned a second Best Jazz Vocalist award in 1997. Putting her vocal talents on the back burner, Jones worked toward earning a degree in jazz piano at the University of North Texas for two years before accepting a friend's offer of a summer sublet in Greenwich Village during the summer of 1999. Although she fully intended to return to college that fall, the lure of the folk coffeehouses and jazz clubs proved too strong and she soon became inspired to write her own songs. Jones appeared regularly with the trip-hop-electronica band Wax Poetic and assembled her own group around songwriters Jesse Harris (guitar) and Lee Alexander (bass), with Dan Rieser on drums.
In October of 2000, the group recorded a handful of demos for Blue Note Records and on the strength of these recordings, Jones signed to the jazz label in early 2001. Following an appearance on Charlie Hunter's Songs from the Analog Playground, Jones spent much of 2001 performing live with Hunter's group and working on material for her debut. Come Away with Me, recorded by Craig Street (Cassandra Wilson, Manhattan Transfer, k.d. lang) and legendary producer Arif Mardin (Aretha Franklin, Dusty Springfield, the Bee Gees), was released in early 2002 and garnered much public attention. The combination of her striking beauty and the fact that she was the daughter of an internationally renowned musician placed Jones in the awkward position of defending her music from those who dismissed her as another pretty face (the same argument used by those opposed to Diana Krall) and⁄or another riding the coattails of her musical royal heritage (see Natalie Cole, Miki Coltrane, Corey Parker). Although not by any stretch a "jazz" album (the label chose to call it "jazz-informed"), it featured jazz guitarist Bill Frisell and session drummer Brian Blade, and indicated a new direction for Blue Note combining jazz aesthetics and talent with a pop sensibility. Come Away with Me eventually went multi-platinum, selling 18 million copies worldwide and winning Jones eight Grammy awards.
In 2004, Jones released her highly anticipated follow-up album, Feels Like Home. Pairing once again with producer Arif Mardin, Jones pursued a similar approach to Come Away with Me, mixing '70s singer⁄songwriter-style tracks with blues, country, and her own mellow take on piano jazz. In 2003, Jones played in a group called the Little Willies along with Lee Alexander (bass), Richard Julian (guitar⁄vocals), Dan Rieser (drums), and Jim Campilongo (guitar), playing covers of classic American music like Hank Williams, Willie Nelson, and Kris Kristofferson. This one-off performance ultimately turned into sporadic shows at the venue whenever their individual schedules would allow, slowly incorporating original songs into their set along the way. In time, the Little Willies began considering the release of a live album, but instead wound up documenting their sound in the recording studio. Milking Bull Records issued the resultant self-titled album in March 2006. Late in the year the single "Thinking About You" announced her return to her solo career. It landed on the album Not Too Late, released in early 2007. ~ Zac Johnson, All Music Guide